Zang Tumb Tumb had previously been appropriated in the eighties for the initials of British record company ZTT,
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Yale School of Art,
Graphic Design
Thesis Presentation 2008
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contents
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contributors
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We all know what it is to track and to be tracked.
Like many people, I feel the need to record and track the things that interest me or inform my work, ideas, and way of being in the world.
I was raised in suburban America by two immigrant parents. My father was born in Greece during World War II to a family and nation decimated by war. My mother was raised in El Salvador under the premise that God was the central figure in all matters. And as a child, my parents moved the family away from a civil war that had begun to tear apart the idea of peace in El Salvador.
Despite having parents who were very different from one another, contradictions in social orders have always baffled me and continue to do so. Furthermore, the current political leadership in Washington has been a failure on the issues I hold dearly. In effect, these events have caused me a need to articulate local and global issues in which I can empathize with.
I’m also a designer working in a professional field that is based on tracking things. For example, History itself is an archive of material and that material can be said to be graphic design. For this reason I have been interested in the works of those who track, collect and map information into diary type systems or track the conditions of power, social orders, religion, race and politics.
Artists and designers have found numerous ways to explore an interest in the mimetic.
Bernd & Hilla Becher’s typology photos attempt to archive repeated architectural forms and structures. In some cases inspired by the Bechers, many artists have used photography to record families of objects, and to construct their own archives of thematic photographic subjects.